Manufacturers

List of products by manufacturer Vandoren

Needless to say, Vandoren has been leading the market of reeds and mouthpieces in France for many years. Since 1905, Vandoren manufactures reeds, mouthpieces and ligatures for all types of Saxophone and Clarinet and all styles of music, especially Classical music and Jazz. Vandoren’s top-quality products are all made in France.

Needless to say, Vandoren has been leading the market of reeds and mouthpieces in France for many years. Since 1905, Vandoren manufactures reeds, mouthpieces and ligatures for all types of Saxophone and Clarinet and all styles of music, especially Classical music and Jazz. Vandoren’s top-quality products are all made in France.

More
per page
Showing 491 - 560 of 684 items
  • The V12 is cut upon a thicker reed blank and leaves a slightly thicker heel and tip. It has a longer vibrating surface than the traditional cut. The result is very precise attack, homogenous colour in every register and controlled high notes while creating a sound that is warm and velvety.

  • The V12 is cut upon a thicker reed blank and leaves a slightly thicker heel and tip. It has a longer vibrating surface than the traditional cut. The result is very precise attack, homogenous colour in every register and controlled high notes while creating a sound that is warm and velvety.

  • The V12 is cut upon a thicker reed blank and leaves a slightly thicker heel and tip. It has a longer vibrating surface than the traditional cut. The result is very precise attack, homogenous colour in every register and controlled high notes while creating a sound that is warm and velvety.

  • The V12 is cut upon a thicker reed blank and leaves a slightly thicker heel and tip. It has a longer vibrating surface than the traditional cut. The result is very precise attack, homogenous colour in every register and controlled high notes while creating a sound that is warm and velvety.

  • The V12 is cut upon a thicker reed blank and leaves a slightly thicker heel and tip. It has a longer vibrating surface than the traditional cut. The result is very precise attack, homogenous colour in every register and controlled high notes while creating a sound that is warm and velvety.

  • The V12 is cut upon a thicker reed blank and leaves a slightly thicker heel and tip. It has a longer vibrating surface than the traditional cut. The result is very precise attack, homogenous colour in every register and controlled high notes while creating a sound that is warm and velvety.

  • V12 reeds have a thicker heel and are cut on a longer palette with a slightly thicker tip than the Traditional. The longer palette means that more of the reed is vibrating, resulting in a deeper, richer sound. The thicker tip gives body to the attack and also increases the longevity of the reed.

  • V12 reeds have a thicker heel and are cut on a longer palette with a slightly thicker tip than the Traditional. The longer palette means that more of the reed is vibrating, resulting in a deeper, richer sound. The thicker tip gives body to the attack and also increases the longevity of the reed.

  • V12 reeds have a thicker heel and are cut on a longer palette with a slightly thicker tip than the Traditional. The longer palette means that more of the reed is vibrating, resulting in a deeper, richer sound. The thicker tip gives body to the attack and also increases the longevity of the reed.

  • V12 reeds have a thicker heel and are cut on a longer palette with a slightly thicker tip than the Traditional. The longer palette means that more of the reed is vibrating, resulting in a deeper, richer sound. The thicker tip gives body to the attack and also increases the longevity of the reed.

  • V12 reeds have a thicker heel and are cut on a longer palette with a slightly thicker tip than the Traditional. The longer palette means that more of the reed is vibrating, resulting in a deeper, richer sound. The thicker tip gives body to the attack and also increases the longevity of the reed.

  • V12 reeds are manufactured from cane tubes with the same diameter as cane used for alto saxophone reeds. As a result, they have a thicker heel and are cut on a longer palette, which gives them a richer and deeper sound. The thicker tip of the reed brings great attack and makes it last longer.

  • V12 reeds are manufactured from cane tubes with the same diameter as cane used for alto saxophone reeds. As a result, they have a thicker heel and are cut on a longer palette, which gives them a richer and deeper sound. The thicker tip of the reed brings great attack and makes it last longer. New box of 10 individual Flow Packs!

  • V12 reeds are manufactured from cane tubes with the same diameter as cane used for alto saxophone reeds. As a result, they have a thicker heel and are cut on a longer palette, which gives them a richer and deeper sound. The thicker tip of the reed brings great attack and makes it last longer.New box of 10 individual Flow Packs!

  • V12 reeds are manufactured from cane tubes with the same diameter as cane used for alto saxophone reeds. As a result, they have a thicker heel and are cut on a longer palette, which gives them a richer and deeper sound. The thicker tip of the reed brings great attack and makes it last longer.

  • New box of 10 individual Flow Packs! V12 reeds are manufactured from cane tubes with the same diameter as cane used for alto saxophone reeds. As a result, they have a thicker heel and are cut on a longer palette, which gives them a richer and deeper sound. The thicker tip of the reed brings great attack and makes it last longer.

  • V12 reeds are manufactured from cane tubes with the same diameter as cane used for alto saxophone reeds. As a result, they have a thicker heel and are cut on a longer palette, which gives them a richer and deeper sound. The thicker tip of the reed brings great attack and makes it last longer.

  • V12 reeds are manufactured from cane tubes with the same diameter as cane used for alto saxophone reeds. As a result, they have a thicker heel and are cut on a longer palette, which gives them a richer and deeper sound. The thicker tip of the reed brings great attack and makes it last longer. New box of 10 individual Flow Packs!

  • V12 reeds are manufactured from cane tubes with the same diameter as cane used for alto saxophone reeds. As a result, they have a thicker heel and are cut on a longer palette, which gives them a richer and deeper sound. The thicker tip of the reed brings great attack and makes it last longer.

  • V12 reeds are manufactured from cane tubes with the same diameter as cane used for alto saxophone reeds. As a result, they have a thicker heel and are cut on a longer palette, which gives them a richer and deeper sound. The thicker tip of the reed brings great attack and makes it last longer.

  • V12 reeds are manufactured from cane tubes with the same diameter as cane used for alto saxophone reeds. As a result, they have a thicker heel and are cut on a longer palette, which gives them a richer and deeper sound. The thicker tip of the reed brings great attack and makes it last longer.

  • V12 reeds are manufactured from cane tubes with the same diameter as cane used for alto saxophone reeds. As a result, they have a thicker heel and are cut on a longer palette, which gives them a richer and deeper sound. The thicker tip of the reed brings great attack and makes it last longer.

  • V12 reeds are manufactured from cane tubes with the same diameter as cane used for alto saxophone reeds. As a result, they have a thicker heel and are cut on a longer palette, which gives them a richer and deeper sound. The thicker tip of the reed brings great attack and makes it last longer.

  • V12 reeds are manufactured from cane tubes with the same diameter as cane used for alto saxophone reeds. As a result, they have a thicker heel and are cut on a longer palette, which gives them a richer and deeper sound. The thicker tip of the reed brings great attack and makes it last longer.

  • V12 reeds are manufactured from cane tubes with the same diameter as cane used for alto saxophone reeds. As a result, they have a thicker heel and are cut on a longer palette, which gives them a richer and deeper sound. The thicker tip of the reed brings great attack and makes it last longer. New box of 10 individual Flow Packs!

  • V12 reeds are manufactured from cane tubes with the same diameter as cane used for alto saxophone reeds. As a result, they have a thicker heel and are cut on a longer palette, which gives them a richer and deeper sound. The thicker tip of the reed brings great attack and makes it last longer.

  • V12 reeds are manufactured from cane tubes with the same diameter as cane used for alto saxophone reeds. As a result, they have a thicker heel and are cut on a longer palette, which gives them a richer and deeper sound. The thicker tip of the reed brings great attack and makes it last longer.

  • V12 reeds have a thicker heel and are cut on a longer palette with a slightly thicker tip than the Traditional. The longer palette means that more of the reed is vibrating, resulting in a deeper, richer sound. The thicker tip gives body to the attack and also increases the longevity of the reed.

  • V12 reeds have a thicker heel and are cut on a longer palette with a slightly thicker tip than the Traditional. The longer palette means that more of the reed is vibrating, resulting in a deeper, richer sound. The thicker tip gives body to the attack and also increases the longevity of the reed.

  • V12 reeds have a thicker heel and are cut on a longer palette with a slightly thicker tip than the Traditional. The longer palette means that more of the reed is vibrating, resulting in a deeper, richer sound. The thicker tip gives body to the attack and also increases the longevity of the reed.

  • V12 reeds have a thicker heel and are cut on a longer palette with a slightly thicker tip than the Traditional. The longer palette means that more of the reed is vibrating, resulting in a deeper, richer sound. The thicker tip gives body to the attack and also increases the longevity of the reed.

  • V12 reeds have a thicker heel and are cut on a longer palette with a slightly thicker tip than the Traditional. The longer palette means that more of the reed is vibrating, resulting in a deeper, richer sound. The thicker tip gives body to the attack and also increases the longevity of the reed.

  • The V12 is cut upon a thicker reed blank and leaves a slightly thicker heel and tip. It has a longer vibrating surface than the traditional cut. A bigger, darker and warmer sound may be found in the V12 compared to the brilliance and responsive attack of the Traditional cut. File cut.

  • The V12 is cut upon a thicker reed blank and leaves a slightly thicker heel and tip. It has a longer vibrating surface than the traditional cut. The result is very precise attack, homogenous colour in every register and controlled high notes while creating a sound that is warm and velvety.

  • The V12 is cut upon a thicker reed blank and leaves a slightly thicker heel and tip. It has a longer vibrating surface than the traditional cut. A bigger, darker and warmer sound may be found in the V12 compared to the brilliance and responsive attack of the Traditional cut. File cut.

  • The V12 is cut upon a thicker reed blank and leaves a slightly thicker heel and tip. It has a longer vibrating surface than the traditional cut. A bigger, darker and warmer sound may be found in the V12 compared to the brilliance and responsive attack of the Traditional cut. File cut.

  • The V12 is cut upon a thicker reed blank and leaves a slightly thicker heel and tip. It has a longer vibrating surface than the traditional cut. A bigger, darker and warmer sound may be found in the V12 compared to the brilliance and responsive attack of the Traditional cut. File cut.

  • The V12 is cut upon a thicker reed blank and leaves a slightly thicker heel and tip. It has a longer vibrating surface than the traditional cut. A bigger, darker and warmer sound may be found in the V12 compared to the brilliance and responsive attack of the Traditional cut. File cut.

  • The V12 is cut upon a thicker reed blank and leaves a slightly thicker heel and tip. It has a longer vibrating surface than the traditional cut. A bigger, darker and warmer sound may be found in the V12 compared to the brilliance and responsive attack of the Traditional cut. File cut.

  • The V12 is cut upon a thicker reed blank and leaves a slightly thicker heel and tip. It has a longer vibrating surface than the traditional cut. A bigger, darker and warmer sound may be found in the V12 compared to the brilliance and responsive attack of the Traditional cut. File cut.

  • The V12 is cut upon a thicker reed blank and leaves a slightly thicker heel and tip. It has a longer vibrating surface than the traditional cut. A bigger, darker and warmer sound may be found in the V12 compared to the brilliance and responsive attack of the Traditional cut. File cut.

  • The V12 is cut upon a thicker reed blank and leaves a slightly thicker heel and tip. It has a longer vibrating surface than the traditional cut. A bigger, darker and warmer sound may be found in the V12 compared to the brilliance and responsive attack of the Traditional cut. File cut.

  • The new S+ chamber is the next step in the evolution of the V16 alto mouthpiece. It offers a richer depth of sound while keeping the free-blowing nature and projection that characterise the V16 alto models. The S+ chamber accommodates more air providing the musician greater flexibility and a wider array of colours with which to work. History’s greatest...

  • The new S+ chamber is the next step in the evolution of the V16 alto mouthpiece. It offers a richer depth of sound while keeping the free-blowing nature and projection that characterise the V16 alto models. The S+ chamber accommodates more air providing the musician greater flexibility and a wider array of colours with which to work. The A6 is the most...

  • The new S+ chamber is the next step in the evolution of the V16 alto mouthpiece. It offers a richer depth of sound while keeping the free-blowing nature and projection that characterise the V16 alto models. The S+ chamber accommodates more air providing the musician greater flexibility and a wider array of colours with which to work. The A7 has the...

  • The new S+ chamber is the next step in the evolution of the V16 alto mouthpiece. It offers a richer depth of sound while keeping the free-blowing nature and projection that characterise the V16 alto models. The S+ chamber accommodates more air providing the musician greater flexibility and a wider array of colours with which to work. The A8 is an open...

  • The new S+ chamber is the next step in the evolution of the V16 alto mouthpiece. It offers a richer depth of sound while keeping the free-blowing nature and projection that characterise the V16 alto models. The S+ chamber accommodates more air providing the musician greater flexibility and a wider array of colours with which to work. The A9 is known to be...

  • The V16 is saxophonist Phil Woods’ favourite reed. With a longer cut and a thicker tip than traditional Vandoren reeds, its sound is brighter and more powerful, which makes it very suitable for Jazz, Funk and modern music in general. These reeds are easy to use from the start.

  • The V16 is saxophonist Phil Woods’ favourite reed. With a longer cut and a thicker tip than traditional Vandoren reeds, its sound is brighter and more powerful, which makes it very suitable for Jazz, Funk and modern music in general. These reeds are easy to use from the start.

  • The V16 is saxophonist Phil Woods’ favourite reed. With a longer cut and a thicker tip than traditional Vandoren reeds, its sound is brighter and more powerful, which makes it very suitable for Jazz, Funk and modern music in general. These reeds are easy to use from the start.

  • The V16 is saxophonist Phil Woods’ favourite reed. With a longer cut and a thicker tip than traditional Vandoren reeds, its sound is brighter and more powerful, which makes it very suitable for Jazz, Funk and modern music in general. These reeds are easy to use from the start.

  • The V16 is saxophonist Phil Woods’ favourite reed. With a longer cut and a thicker tip than traditional Vandoren reeds, its sound is brighter and more powerful, which makes it very suitable for Jazz, Funk and modern music in general. These reeds are easy to use from the start.

  • The V16 is saxophonist Phil Woods’ favourite reed. With a longer cut and a thicker tip than traditional Vandoren reeds, its sound is brighter and more powerful, which makes it very suitable for Jazz, Funk and modern music in general. These reeds are easy to use from the start.

  • The V16 is saxophonist Phil Woods’ favourite reed. With a longer cut and a thicker tip than traditional Vandoren reeds, its sound is brighter and more powerful, which makes it very suitable for Jazz, Funk and modern music in general. These reeds are easy to use from the start.

  • The V16 is saxophonist Phil Woods’ favourite reed. With a longer cut and a thicker tip than traditional Vandoren reeds, its sound is brighter and more powerful, which makes it very suitable for Jazz, Funk and modern music in general. These reeds are easy to use from the start.

  • The V16 is saxophonist Phil Woods’ favourite reed. With a longer cut and a thicker tip than traditional Vandoren reeds, its sound is brighter and more powerful, which makes it very suitable for Jazz, Funk and modern music in general. These reeds are easy to use from the start.

  • The V16 is saxophonist Phil Woods’ favourite reed. With a longer cut and a thicker tip than traditional Vandoren reeds, its sound is brighter and more powerful, which makes it very suitable for Jazz, Funk and modern music in general. These reeds are easy to use from the start.

  • The V16 is saxophonist Phil Woods’ favourite reed. With a longer cut and a thicker tip than traditional Vandoren reeds, its sound is brighter and more powerful, which makes it very suitable for Jazz, Funk and modern music in general. These reeds are easy to use from the start.

  • The V16 is saxophonist Phil Woods’ favourite reed. With a longer cut and a thicker tip than traditional Vandoren reeds, its sound is brighter and more powerful, which makes it very suitable for Jazz, Funk and modern music in general. These reeds are easy to use from the start.

  • The V16 is saxophonist Phil Woods’ favourite reed. With a longer cut and a thicker tip than traditional Vandoren reeds, its sound is brighter and more powerful, which makes it very suitable for Jazz, Funk and modern music in general. These reeds are easy to use from the start.

  • The V16 has a thicker tip than the traditional Vandoren reed and a longer pallet. This means that the sound is more brilliant, more percussive, and particularly well adapted to new styles of music. V16 reeds have a medium-thick heart (more than JAVA but less than Traditionals), with a profile designed for producing a strong attack with a deep, rich sound.

  • The V16 has a thicker tip than the traditional Vandoren reed and a longer pallet. This means that the sound is more brilliant, more percussive, and particularly well adapted to new styles of music. V16 reeds have a medium-thick heart (more than JAVA but less than Traditionals), with a profile designed for producing a strong attack with a deep, rich sound.

  • The V16 has a thicker tip than the traditional Vandoren reed and a longer pallet. This means that the sound is more brilliant, more percussive, and particularly well adapted to new styles of music. V16 reeds have a medium-thick heart (more than JAVA but less than Traditionals), with a profile designed for producing a strong attack with a deep, rich sound.

  • The V16 has a thicker tip than the traditional Vandoren reed and a longer pallet. This means that the sound is more brilliant, more percussive, and particularly well adapted to new styles of music. V16 reeds have a medium-thick heart (more than JAVA but less than Traditionals), with a profile designed for producing a strong attack with a deep, rich sound.

  • The V16 has a thicker tip than the traditional Vandoren reed and a longer pallet. This means that the sound is more brilliant, more percussive, and particularly well adapted to new styles of music. V16 reeds have a medium-thick heart (more than JAVA but less than Traditionals), with a profile designed for producing a strong attack with a deep, rich sound.

  • This leather mouthpiece cap for baritone saxophone mouthpieces was handcrafted from genuine leather. Fits V16 baritone mouthpieces.

  • Vandoren mouthpieces have defined the ideal saxophone sound for decades. The V16 ebonite mouthpiece is inspired by the sound of the greatest jazz musicians from the fifties to the present. It is one of the most widely used mouthpieces and can easily adapt to all styles of playing. JAVA, V16 and ZZ reeds are recommended for these mouthpieces.

  • Vandoren mouthpieces have defined the ideal saxophone sound for decades. The V16 ebonite mouthpiece is inspired by the sound of the greatest jazz musicians from the fifties to the present. JAVA, V16 and ZZ reeds are recommended for these mouthpieces.

  • Vandoren mouthpieces have defined the ideal saxophone sound for decades. The V16 ebonite mouthpiece is inspired by the sound of the greatest jazz musicians from the fifties to the present. It is one of the most widely used mouthpieces and can easily adapt to all styles of playing. JAVA, V16 and ZZ reeds are recommended for these mouthpieces.

Showing 491 - 560 of 684 items